Drawing Intensive: Conditions for Visual Inquiry (DRW4238.01)

Ann Pibal

…life and making images, and between the personal, and public or political worlds? This intermediate level course will address these questions through an intensive immersion in drawing and investigation into…

Graduate Research in Dance (DAN5305.01)

Susan Sgorbati

…develop their own independent creative projects that will be presented to the public, either formally or informally, by the end of the term. Corequisites: Dance Workshop (Th 7:00pm – 8:30pm)…

Performance Project: The Dynamic Group (DAN4137.01)

Russell Stuart Lilie, MFA Teaching Fellow

Favorite How are groups identified, formed, reformed, sustained, absorbed, or disbanded? What is an individual’s responsibility towards the group? How is individuality acknowledged within the group? How do individuals handle…

Improvisation: Somatic Nuance (DAN2143.01)

Hilary Clark, MFA Teaching Fellow

Favorite This is a class for those curious about their bodies’ potential for spontaneous, nuanced movement. We will begin with a slow warmup, emphasizing our natural desire to move. We…

Sewing Fundamentals (DRA2130.02, section 2)

Richard MacPike

Favorite Students will learn the basics of sewing. Included will be various hand stitches used in garment construction and repair as well as learning how to use a sewing machine….

The Actor’s Instrument (DRA2170.01, section 1)

Kirk Jackson

…sensory and imagination exercises, character analysis, and beginning text work. We will read and discuss several plays throughout the term, as well as theory. Corequisites: Dance or Drama Lab Required…

Artist’s Portfolio (DAN4366.01)

Dana Reitz

Favorite Explaining artwork often goes against the grain, yet artists are regularly called upon to articulate their processes, tools, and dynamics of collaboration. To help secure any of the myriad…

Ideas Arrangements Effects (APA2178.02)

Kenneth Bailey, MFA Teaching Fellow

…the class as a design intensive to devise their own social intervention. DS4SI’s book, Ideas Arrangements Effects would be the primary text, supplemented with readings that were critical in shaping…

GANAS (APA4154.01)

Jonathan Pitcher

Favorite In terms of public action, GANAS remains a community-driven, cross-cultural association that provides students with volunteer opportunities to engage with the predominantly undocumented Latino migrant worker population. These opportunities…

Sewing Fundamentals (DRA2130.01, section 1)

Richard MacPike

Favorite Students will learn the basics of sewing. Included will be various hand stitches used in garment construction and repair as well as learning how to use a sewing machine….

Design from Nature (DRA4236.01)

Charles Schoonmaker

Favorite This is a class for students interested in Costume Design. We will work with inspiration from the natural world to design clothing, one example being Christian Dior’s ‘Tulip line’…

Traditional Music of North America (MHI2135.01)

John Kirk

…traditions, Cajun, Blues, Gospel, and Conjunto music. Instrumental, dance, and ballad traditions are explored. Students must bring a guitar, banjo, mandolin, or fiddle (or other social instrument) to class for…

Senior Seminar in Society, Culture, and Thought (SCT4750.02, section 2)

David Anderegg

…this will be a one-semester project. For other students, this will be the first half of a year-long project that involves fieldwork, archival research, and/or the collection of data. For…

Incarceration in America (APA2108.01)

Annabel Davis-Goff

…human suffering – the current $80 billion spent each year does not include either other incalculable associated costs or the far greater future resulting social and financial consequences. There are…

Traditional Music Ensemble (MPF4221.01)

John Kirk

Favorite We will study and perform from the string band traditions of rural America. Nova Scotia, Quebecois, Irish, New England, Scandinavian, African American dance and ballad traditions will also be…

Rakugo: Art of Storytelling (JPN4505.01)

Ikuko Yoshida

Favorite Rakugo is one of the traditional Japanese art and storytelling entertainment which became extremely popular during the Edo period (1603-1868). Rakugo is a rather unique storytelling performance because a…

Presentation of Statistics (MAT2246.01)

Josef Mundt

…data set, and avoidance of deception. There are no prerequisites and will be accessible to all interested and willing students. This course is appropriate for any students wanting to understand,…

Logic, Proofs, Algebra, and Set Theory (MAT2410.01)

Carly Briggs

Favorite This introductory course should be of interest to students planning additional study in mathematics as well as those wanting looking for a mathematics course of more general interest. The…

Senior Projects (LIT4795.01)

Michael Dumanis

…first drafts of projects will be completed by the end of the term. Corequisite: Students are required to be in attendance at all Literature evenings and Poetry at Bennington events…

Foundations of Photography: Digital Practice (PHO2153.01)

Elizabeth White

Favorite This course offers an overview of foundational tools and techniques in digital photographic practice. Students will learn to shoot with digital SLR cameras, process raw files in Lightroom, properly…

Image Objects (PHO4103.01)

Elizabeth White

Favorite As recent exhibitions and publications such as What is a Photograph? (The International Center of Photography, 2014), A Matter of Memory: The Photograph as Object in the Digital Age…

Calculus A (MAT4133.01)

Andrew McIntyre

Favorite This course covers the breadth of university calculus: differentiation, integration, infinite series, and ordinary differential equations. It focuses on concepts and interconnections. In order to cover this much material,…

Digital Life (MS2104.01)

Brian Michael Murphy

Favorite Digital technology is changing our understanding of what it means to be human, and rewriting our definitions of life, the body, love, death, and other concepts and embodied experiences….

Adaptation (DRA2249.01)

Sherry Kramer

Favorite Adaptation: A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best….

The Web as Artistic Platform (DA2110.01)

Robert Ransick

Favorite This course is an introduction to creative practices with digital technologies specifically focused on creating online fine art projects. A broad survey of web-based digital arts is examined in…

Introduction to Relief Printing (PRI2105.01)

Thorsten Dennerline

Favorite This course is an introductory level print class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to…

An Actors Technique: Nuts and Bolts (DRA4127.01)

Dina Janis

Favorite How do actors bridge the gap between themselves and the role they are playing? How do actors rehearse with other actors in order to explore the world of the…

Form and Process: Investigations in Painting (PAI2107.02, section 2)

J Blackwell

Favorite This course introduces a variety of materials, techniques and approaches to painting with oils. Emphasis is placed on developing and understanding of color, form and space as well as…

Chemistry 3 (CHE4213.01)

Amber Hancock

Favorite Chemistry 3 focuses on why chemical reactions happen, what the steps are, how we discover them, and how we use this to look at practical problems such as the…

Architecture I – Elements (ARC2101.01)

Donald Sherefkin

Favorite Introduction to the discipline of architectural exploration. Architecture I focuses on the formation of architectural concepts through the development of spatial investigations using scale models and drawings. We begin…

Architectural Graphics (ARC2104.01)

Donald Sherefkin

Favorite An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and…

Toward a Rigorous Art History (AH2109.01)

J Vanessa Lyon

Favorite A “rigorous study of art” became the goal of Philosopher and Cultural Critic Walter Benjamin (1892-1940) when his growing distaste for the outlook and methods of his art history…